Louis Murphy
Is Roughing
In My Room
Grade
Promises 'N Stuff
In Blue
Basic Child
Left Parted
Dark Ages
Daylight
Is Roughing
walking in a distant door carrying Marine on Saint Croix sky fields as volcanic floes sunburned down my back and arms and the tops of my feet neck peeled into rust
we are all fuel and scrapes tractors stuttering our names out in exhaust fumes we gathered berried beauties bright fruits silent as frost leaves children
the last of that first summer's days cold taken from the fourth grade fall classroom to slave the first days of spring too in the in between summer comes we leave at 7am from Saint Paul out to unobserved by eyes even by those driving past the acres near a road my ages nine to fifteenth year spit there
In My Room
I locked myself in the picture book colors inside the lines colored in my room door noted noises that passed
outside the hallway is underwater others always echoes others
the walls were yellow I believe were yellow echoes I locked myself my room noted as noises passed my door through
outside my window the hallway underwater echoes already yellow inside my room I decided to create my own room section by section built a subterfuge titanium a mural in parts movements in music lyrics
it all became spheres of observable lines
within cerulean time
soon time will become out of itself time will become happened upon see itself consider that the lone escape ideal can cut this room out of the picture book maybe even make an escape
Grade
third grader crying sobbing knowing
that someone took the time to invent
the atom bomb the hydrogen bomb
how many shadows
burned into a bridge or three
a wall take measurements
measurements could be taken
from the shadows
yes
but why
we keep score of that certain angle
the radiance
how much variance
in radiation
that's right radiance
the Classics
Plutarch
Pluto
Plato
Socrates
Hawthorne
Frost
Rumi
argument
LASER becomes laser
excellent
later
read Watership Down it's a children's tale
teach yourself the truth
fundamentals
logic is theory
what makes
different infinities
different sizes
don't ask questions
years later how small
the infinity we live in
Promises 'N Stuff
brought on by a bobble-head life ruled by a narcissist who hates especially specifically children women faggots blacks uses the word "nigger" in church
I switch elbows and bury the rubber ball again
pressing away self blood flow image made up of cult proclaimed knowns broken homes though families are together hated flavor communal meals dinners as capture
ethereal dry drunks bleeding out broken in the place itself foreign once moved into anonymity in your city for the purpose of reestablishing a keep of almost belief
In Blue
every city hidden alleyways sit here backwaters histories quiet displayed three of these things belong together display\ you a package in aisles a pageant made front by front by front three of these things are kind of the same a hand-painted plaster figure an idol opinion surviving while against some religions' prescriptions do ya think?
sealed crucified plaster stained idols our idle beliefs effigies lines do break but one of these things is doing its own thing
defined versus historic purposes there should be water not blood water that wound there ages burdened you sucker side opened plaster sensation spear fingers
~
in now its time to play our game it should be science by admission water water water should be running shown flowing flesh and side flaccid sagging separation dead body blood-water we are brief words
Basic Child
we are all worn thin
here
threadbare
the fates
even having a difficult time
surviving
deciding
where
it is possible to snip
the weave
so push-dependent
on aided grief
might
unravel
even
if that were to happen
to all ends
for me
for many
that would be
a kind decision
Left Parted
we all end up stylistic saviors insisting on
lone visions how belief is all about spells prophecies
each belief draining away the free dumbfounded-ness
miracles miracles miracles
Dark Ages
I shivered in the hospital this morning
afraid to come out from behind the curtain
I heard the screams of zombies in the halls
I know disability is tearing me
like the summer a year and a half ago
no one knows disappeared the way footsteps
vanish when they are taken unless you note
specifically who you had to step on
where the atoms were that instant
(they shift
then everything
is obsolete)
how the guard let me get away
I walked out the emergency room door
after three hours of waiting for a doctor
to meet with me
in my mind it was longer days leapt by already
in a white-walled wonderland-sideshow without help
where maybe I had been alone for eternity
even if only in my hallucinations
knowing all that was on my mind
now on the street
telephone lines speak
blipping antenna codes my feet wander
a darkness where stars are only knives
to bleed me of desire
back-lit frames
walking north home flare
and flicker
that is how I remember
flickering
outside of time stuck in visions believing all
terror is housed inside of me
Daylight
you will always be a goat eating thorns
on an eraser rubbed edge of the badlands
facing the desert the only thing you own
the homeless person inside you
who grows thin day to day your suicide
made up of this dry tongue landscape
exhaustion that ricochets
confusion wrapped
within the muffled bells so difficult to observe
a mind always ringing out
self hatred
random reappearing
in the summer windows
fan blades play
at being shadows inter-daylight spins up
unexpectedly out of the eyelashes of sleep
deep wrenching through glass we all
share a look
our teeth worn down
too quickly
and I only wish
to be one breath a signal that daylight is coming
morning folding
my varied skins
creased by you again
Louis Murphy was born in 1976, in and into what has been referred to as a closed community, commune, cult, church, and/or remnant of the late 60s/early 70s. In 1993 he was able to flee with the majority of his family. Since 1998, the labels PTSD, bipolar, and mentally disabled have also been added to those used to describe his past and present.
Murphy acknowledges that all of these labels are reaffirmed for him every day, but time, and distance, and the wobble of these lines and words, upward or downward, flexing once again against the temporary conventions of line and verse — time and distance allow for many readings, version-ings, and forms of what is intended in these destabilized works — to allow more for the reader/re-visioner, in opinion, belief, and a larger independence of hope.