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Desert Song
The desert song, calling,
Its voice enthralling . . .
--Sigmund Romberg
From a distant mound
humpbacked on the sunset-flamed horizon,
they emerge as silhouettes
gaining shape and size
as they draw nearer in full combat gear,
with gas masks strapped over body armor—
a small detachment, lost, from a battalion
out in the desert somewhere
near their skeletal, charred Humvee.
Sloshing ankle-deep through a mirage,
features shadowed by their helmets'
front rims, camouflage
uniforms the color of pale sand,
they lose distinctness as crepuscular
light falls on them. They pause,
breathless in the dusk, aware:
Surely some revelation is at hand,
a pillar of smoke, a tongue of fire,
a dull explosion. Then they hear it
keening ever higher
from one quadrant of surrounding dark:
their desert song, a siren calling,
piercing through steel and into sand-plugged ears.
They take up arms again and follow.
He and his wife are inveterate travelers, especially to Europe and Hawai'i, and spent the academic year 1990-91 in Duesseldorf, Federal Republic of Germany, where he was a Fulbright Scholar at the Heinrich Heine University.
Over the past half-century his poems have appeared in a wide variety of literary journals, and recently two small presses have published modest volumes of his work: Second War in Hawai'i (March Street Press: Greensboro, North Carolina, 2005) and In and Out of Their Elements (Fine Tooth Press: Waterbury, Connecticut, 2006).